«This chapter examines the concept of the poor image in relation to a contemporary, critical art education. Coined by Hito Steyerl in 2009, the term describes digital, sometimes poorly resolved image copies, which are proliferating on the internet, often deprived of any context or image information. These new visual forms are accompanied by a shift in the way images are used and reflected, which in turn is central to post-internet art education. The article examines the term poor image and, in a second step, situates it in a contemporary teaching practice. In doing so, the author investigates its performative potential and speculates on how pictorial poorness may lead to pedagogical richness.»
What is the poor image rich in?
Artikel: Palgrave Macmillan 2021